
Growing up, blonde always stood out as one of my favourite fashion statements. But itâs from studying Geography, with the disciplineâs complex rootsâa field historically shaped by colonialism, mapping, and controlâthat helped me see that blonde hair, too, can be read through lenses of anti-racist structures, power, resistance, and identity.
Black people have been systematically denied perceptions of intelligenceâmuch as blonde individuals have, albeit in a different way. These shared histories are worth highlighting as we rethink who gets to be seen as beautiful, smart and Black.
The colour blonde has been reclaimed, reimagined, and redefinedâmost powerfully, perhaps, through figures like BeyoncĂŠ Knowles. So much so, her signature âBeyoncĂŠ blondeâ or âhoney blondeâ looks faced criticism of being assimilationist or âtoo whiteâ.
In the pursuit of Black radicalism and revolutionary practices, multiple forms and a non-linear path is integral for the growth and liberation which Audre Lorde discusses in her famous writings âSister Outsiderâ.
As a QTIPOC person, the practice, reclamation, and remembering of anti-racism is at the centre of my personal, working and societal outlook. The politics of blonde hair and its discourse develops white and Black childrenâs framework as holistic and inherent leaders within anti-racist practices.
Thus, for me personally, this conjunction, and the paradigm of blonde hair, in its empowerment and strength is a milestone for Black culture, identity, and prideâa bold reclamation of space within a beauty narrative that historically excluded Black folks. As an avid queer watcher of RuPaulâs Drag Race, I know hair colours are a deep creative expression. For anti-racist development itâs important to highlight the bold opportunity of the colour blonde and its shift from white supremacy to a Black identity.
This Iâd argue is a catalyst to allow for white folks to further engage in anti-racismâand in doing so a contributor in removing white folks or whiteness from the topic altogether.
From ballroom to the rave sceneâQueer Black culture continues to shape Britain, and itâs these Queer scenes that heighten a manoeuvre for solidarity and a shared cultural nurturing. Within Queer Black culture, the adoption of blonde hairâwhether through music, art, or everyday styleâsignals transformation. Artists like BeyoncĂŠ, Jorja Smith, and Shygirl have expanded on what beauty and Black identities can look like, turning a once-exclusionary aesthetic into a site of freedom and self-definition.
The presence of blonde hair among Black and albino communities further challenges rigid racial binaries. Ownership of beauty is as much political as it is personal. This allows for white children to have the inherent opportunity to be listeners, supporters, and comrades to their QTIPOC peers.
In tracing the journey of blonde hairâfrom its entanglement with colonial ideals of beauty to its reclamation within Black and queer expressionâI have come to see it as a political act.
Blonde hair becomes both a mirror and a megaphone: reflecting histories of shared experiences while amplifying new narratives of empowerment, intelligence, and creativity. Moving back to my hometown has illuminated how such self-expressionârooted in anti-racist practice and queer joyâcan shift collective consciousness.

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